People - April 15th, 1985  

Deborah Addair - Dynasty's superbitch

The problem is, Deborah Adair is so good at being bad. Last season she was completely convincing as Dynasty's superbitch bed-hopper Tracy Kendall, who all but jumped Blake Carrington on a business trip to Hong Kong. "It took a great deal of acting for me to turn her down," says the politic John Forsythe. Even before that, she was the dark-haired, dark-hearted witch on The Young and the Restless for three years. But the sensuous actress is nothing like that in real life, she insists. Protests the lady (perhaps too much): "I'm one of the most religious people you will ever meet."

As that comment suggests, she's interested in presenting herself in a favorable light. Fortunately, she has an outlet for that preoccupation in her current ABC series, Finder of Lost Loves, which pairs her with Tony Franciosa. As self-assured Daisy Lloyd, Adair, 32, finally plays a professional woman with a heart. Nevertheless, Deborah identifies in part with Daisy's predecessor, Tracy. "I'm the type of person who wants to go just as far as I possibly can," she says. As an openly ambitious actress, she says of her roles, "I don't have any moral aversion to sleeping with people and that kind of thing."

"I have no social life. My big social kick is when friends from Dynasty appear on my show," says Adair.

Her family demurs. Her father, a Bellevue, Wash. businessman, refused to watch The Young and the Restless after Deborah hopped into bed with another character. He likewise insisted that Deborah's mother, a Spanish teacher, tape Dynasty so he could watch Tracy's amorous adventures alone. After Deborah's divorce from an insurance man seven years ago, she says, "I think my father assumed I would be a virgin again."

Adair does share some of her father's sensibilities, though. In high school and college she taught Sunday school at a Presbyterian church. But Adair can come on like the Pollyanna of a Beverly Hills congregation. "I just don't buy that particular thing that Jesus is the son of God and rose from the dead so that all of us will be forgiven," she says. While not a Catholic, she frequents a Catholic church because it's close to her L.A. town house.

Adair's upbringing was, she says, "middle-class Protestant." After graduating from the University of Washington in 1974, she worked on the business side of a Seattle TV station for four years and dabbled in community theater. Her four-year marriage to Gary Baker failed in 1978. So did her subsequent job as a Pan Am stewardess. "I could never learn to say 'chicken, beef or fish' in Spanish," she says. "So I'd make chicken and beef noises." In 1980 she landed on The Young and the Restless.

Oddly enough, Adair considered Dynasty a dead end. Says Deborah: "The character I played was not sweet enough to be any threat to Krystle and not bitchy enough to be any threat to Alexis." But Adair has found her career prayers answered in odd ways. She was a spokesperson for an L.A. rape crisis center "because it's my responsibiiity to give something to the community, and actually it paid off materialistically." She believes it led to a Love Boat spot as a rape victim and an abused-wife role on Hotel. Her move to Finder of Lost Loves was unexpected, though. "I'll never know if I was taken off Dynasty to be put on this show," she says. "I don't know and I don't care." Particularly since she moved from supporting player to starring role.

"She's very professional for a young actress," says Finder co-star Tony Franciosa. "I'm jealous of her."

Still, Adair insists she's more like Finder's Daisy than Dynasty's Tracy. She is only lately gaining confidence around men. "I used to feel secondary to them," she says, and an occasional escort, Dynasty co-star Jack Coleman, seconds that. "If she has a weakness," says Coleman, "it would be a lack of total confidence in herself."

Although her current series lets Adair display her spiritual side, even she admits that Daisy is too good a do-gooder for her taste. "I'm probably not as nice as Daisy is," she says. "But then, you know, we only see her for an hour a week. I'm sure on her days off she can be as nasty as I can be."
 

"Don't Tread on Me" - Like her Dynasty character, Deborah Adair can be assertive when it comes to her career.

"I hate her!"

Linda Evans, who plays saintly Krystle Carrington on ABC-TV's Dynasty, shrieks her feelings about her newest co-star, Deborah Adair, between takes on the Dynasty set, causing the reporter present to think he's stumbled on a juicy story. With the addition of Adair, the dark-haired beauty who used to play nasty Jill Foster Abbott on daytime's The Young and The Restless, the Dynasty cast is now brimming over with gorgeous ladies. Doesn't Dynasty teach us week after week that beautiful women are jealous, competitive and backbiting? Should it be any different on the other side of the camera?

Alas, Evans is pulling the reporter's leg. "Just kidding, just kidding," she adds adds quickly, with a husky laugh. "Don't you dare print that!"

Evans and Adair are making the reporter's job difficult -- they are getting along splendidly. They chat, heads together; they laugh often. Yet there are differences. During a brief shooting scene, Evans glows, while Adair simmers.

"She does naughty very well," says Evans, who does wholesome very well.

This season, lovable Krystle has taken over as head of corporate public relations for the oil-rich Carrington clan of Denver. Adair portrays Tracy Kendall, Krystle's conniving assistant, in Adair's words, "an ambitious woman who will do whatever she has to to get what she wants," and a potential nemesis for arch-villainess Alexis Carrington Colby, played by elegant Joan Collins.

With only so many meaty lines and flattering camera angles to go around, can the backstage rivalry be anything but fierce? "It's natural for a woman to notice what other women are doing," concedes Evans. "But I am what I am, and Deborah is what she is, and that's great. Honestly, I've never felt any competition on this set. I think we'd all rather be in a cast of beautiful men and women in a quality show than be in a mediocre one and stand out."

The Dynasty cast had better be careful, because Deborah Adair could very well carve out bigger territory for herself -- on any show. She is, in her own words, "very goal oriented," Says her agent, Mike Greenfield: "Deborah's not blindly ambitious, but she's meticulous and very hard-working, She came here from Seattle knowing just what she had to do to achieve what she wants."

It is not surprising that Adair has been cast as Dynasty's first true career woman. While the Carrington women have married into or been born to their lofty positions, Tracy Kendall must rely on her own resources to climb the corporate ladder -- and Adair appears a natural for the part, A marketing executive before turning actress, she seems to embody the modern woman in transition, balancing personal goals with traditional values, determined to achieve independence and success despite nagging moments of self-doubt.

"A perfect description of Deborah, exactly right." Agrees Esther Shapiro, who created Dynasty and casts it with her husband, Richard. "She has a very interesting quality, sophisticated yet vulnerable, the quality of a survivor."

Adair survives partly by being a perfectionist -- "I would hurt to the quick if someone thought I hadn't done my best," she says -- and at work can be as high-strung as a thoroughbred. When the director interrupts a scene because of a minor gaffe by Evans, it is Adair who assumes she has goofed.

"What did I do?" she blurts out immediately. A small adjustment is made, the scene reshot, and she gets it down flawlessly.

"I never quit until I get it right," she says later. "I've been that way with everything I've done. Sometimes that probably keeps me from enjoying things at the moment, but it is also behind whatever success I've had." Such standards, she admits, can take their toll. "Truly, I wish I were less judgmental. I'm too hard on everybody. It could all be taken care of if I could come to terms with what I am, if I had that deeper security ... part of me is very aggressive, and part of me is soft and old-fashioned. What I need to find is the balance."

Her old-fashioned side shows in her attitude toward Dynasty co-star John Forsythe. "I've had a crush on John going clear back to Bachelor Father." But her self-assurance was undaunted when the suave Forsythe recently complimented her on her perfume. "John," she corrected him very directly, "that's hair spray," They both cracked up.

She tells the story curled barefoot on a sofa in her modern West Los Angeles condominium, which she shares with a small, white tornado of a dog named Clouseau. Upstairs is an exercycle, which she pedals daily, and nearby is a copy of "Cosmopolitan's Super Diet and Fitness Guide," as well as the "I Ching" and several biographies of famous women. Another soap player, Alex Donnelley of The Young and the Restless, has just dashed in and out with armfuls of clothes.

"We're always trading clothes," explains Adair. "Sometimes, it's like a sorority around here,"

Born Deborah Adair Miller in Lynchburg, Va., to a Navy officer father and a mother who is a career educator, Adair was subconsciously liberated. "My mother always worked. I can't remember her ever telling me there was something that I wasn't capable of," she says, She earned a degree in advertising and marketing at University of Washington, working afterward as a copywriter, commercial producer and assistant promotion manager for KIRO-TV and KIRO radio in Seattle. Briefly married to a budding politician ("to escape taking responsibility for myself"), she later divorced him and decided to pursue a career of her own.

A flair for dramatic reading in high school led to voice-over work on commercials, then local stage productions, and a move to Hollywood in 1978, where she waited tables, found an agent a landed small parts in several TV series. In 1980, actress Brenda Dickson left Young and the Restless and the role she created, that of manipulative Jill Foster Abbott. Adair inherited the part. Admittedly unsure of herself in the beginning, she credits Y&R co-executive producer Wes Kenney with helping to build confidence.

"Deborah's really blossomed as an actress," says Kenney, "Given a little more time and a sense of security she's definitely going to hold her own in this business. But don't underestimate her -- all somebody has to do is step on her, a they will really see some assertiveness."

Kenney should know. Adair asserted herself last year by leaving the soap during stalled contract negotiations. Adair says she wanted to be open to wider career opportunities. Kenney suggests the issue was money. Whatever the reason, she jumped when the highly rated Dynasty beckoned, and now earns a more-than-comfortable salary in the low six figures. Playing another catty character on Dynasty doesn't bother her, "To me, the show is fantasy, pure entertainment. I just don't take it that seriously,"

Something she does take seriously the issue of rape -- she spent a year as spokesperson for the Los Angeles Rape Response Center, and admits to some misgivings about Dynasty's treatment of rape in an episode last year, which some viewers found exploitative. "I was much more concerned, though, when-one of the daytime soaps [General Hospital] turned the rape of a leading lady into a fantasy -- she fell in love with her rapist and they lived happily ever after. That really fried me. It was disgusting and it disturbed me that our industry could support it."

On another sun-splashed afternoon, Adair is at the wheel of her bright red VW Rabbit convertible, zipping through traffic with the top down. Later, over a quick lunch of Spanish omelette and vegetables -- she allows herself only one meal a day -- she makes a surprising confession: men intimidate her. "I've always felt bright and resourceful, but put me in a room with a man, and I become secondary. I'm involved with someone now and it's the first relationship where a man has forced me to have confidence in myself. Lately, I seem more and more to be surrounded by men who push me to my limits instead of trying to mold me into what they want me to be, and it's so refreshing."

What she wants to be is more than a pretty actress or dutiful wife . . . she thinks. "I love acting and want to do films, but I'm also well-organized and have good judgment, and I think I could produce. The men I'm attracted to are powerful, active, successful, and I couldn't sit at home waiting for a man like that. I get bored too easily. I could only arrange so many flowers." She pauses, laughs. "Yet I'm an incurable romantic, so none of that makes sense."

At the moment, Dynasty's prime-time exposure has her in a professional whirlwind. "I've never been busier, or happier, Sometimes, it seems like a mad adventure. I have no idea where I'm going, but it feels very good."

By Marcia Logan

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